My little nephew Callum. It’s hardly in the same territory as the American photographer Tierney Gearon, but I love it’s odd quality. He was messing around with his sister’s weird dummy head. His sister doesn’t have a weird head.

I’ve worked on a quite a few projects with Geoff Dolman from Static Caravan Records http://www.staticcaravan.org/ They are always discovering and supporting original new sounds. This was a limited release produced by http://playbutton.com/ . It features Hannah Peel on vocals, Coti K – double bass and file manipulations, Laurence Hunt on percussion, and Justin Wiggan on electronics and synths. 

The play button contains the audio, which starts automatically when you plug headphones or the USB connector into the headphone jack. I was given free reign on this project. The stone was photographed in a recycling site near Formby.

One of my favourite oldie tyme illustration projects . Commissioned by Harper Collins – Flann O’Brien. They’re great books and quintessentially Irish. It was fate that I’d end up working on them. The protagonist in The Dalkey Archive is Michael Shaughnessy. The character of the brother in The Best of Myles, is genius.  I’m starting to look like one of the old geezers on the front.

I love this handwritten sign. Written with such joy, it doesn’t exude authority, does it ?. It’s near the VW parts place off Derby Road. I left my car there, what were they gonna do ? Read me poetry ?

It’s not that I’ve got OCD, like Josef Muller-Brockmann, I love grids and straight lines. I’ve also returned to my collecting theme. Finding the perfect things to make good work can take years. The right pencil. A magenta pin from RSVP in Berlin. The concept behind the text is much harder to find.The final image is one of my favourite shop windows in London.

Elbow / Leaders of the Free World. This is such a great album. But was poorly promoted by their record label at the time – V2. Universal have just released another version. The design is good but they’ve scrimped on the paper quality. I always preferred the working drawings to the finished artwork.

I was given this fabulous old photo years ago.There’s a great story here. I’m not sure what it is ? Edward Hopper would have liked it. Collecting is big part of what all illustrators and designers do. There’ll be much more on this archiving theme, in later posts. Perhaps, this bloke is just thinking. F**k that was close !

A detail and print made for Ghost of Gone Birds. This was such a wonderful project to be involved with. We hosted the exhibition / project at Liverpool School of Art & Design for Ceri Levy and Good Pilot team. http://www.ghostsofgonebirds.com.                                                           Each artist / illustrator / designer  could choose an extinct bird, or a bird on the endangered list. I chose the South Island Piopio. It was an ugly little fella, but had a lovely song. A bit like Kanye West or Cee Lo Green. If you’re clever, you’ll notice that all my names are great singers, who have passed away. The style is part of an ongoing research project on  calligraphy and street writing / tags.

Saw this on my last Berlin trip – A.D.Deertz is a Berlin based casual menswear label. The clothes are pretty good. A bit like http://www.oipolloi.com but without all the Fisherman’s jumpers and black eyes. The graffiti is a definite improvement on the signage. The contrast of the two styles of information really complements it.  Once you look beyond the expletives and the garbage. – There are some lovely bits of writing out there. I’ll be putting up some regular posts on this subject.

Kidult at Agnes B in Paris- which is amazing. You do wonder about the complicity of the people at Agnes B and Deertz. That shade of cyan, it’s just too considered. Plus, Agnes B is a label which is bought by people who live in Kensington and pretend to like jazz. Are they trying to give it a bit of street cool ? You get me ?

Got to have the right tools – I must admit, this is when my Posca obsession was in full flow.

We created bespoke G4 security guards.

Seel in action. Window drawing. We have made a deliberate attempt to use the gallery to engage with the city. A great new gallery space full of light. Making the unseen drawing very public but trying to retain the fragility and transparency of the process. I know it sounds a little pompous. But it looked right good.

Jon Spencer created a time lapse of the whole set up. It’s still in Post Production.